GUZHENG
The Guzheng, often referred to as the Chinese zither, is a traditional Chinese string instrument that boasts a history spanning over 2,500 years. Characterized by its long, horizontal body and ranging from 16 to 26 or more strings, the Guzheng is a prominent figure in Chinese music, known for its expressive and captivating soundscapes. Traditionally made from Paulownia wood, its strings were once made of silk but have since been replaced with metal or nylon for increased durability and tonal range.
The instrument is played by plucking the strings with the fingers or with plectra attached to the fingers, allowing for a wide variety of techniques including bends, vibratos, and slides, which contribute to its distinctive, ethereal sound. The bridge placement under each string can be adjusted, allowing for a wide tonal range and enabling the player to perform a diverse repertoire spanning from traditional Chinese folk music to contemporary compositions.
The Guzheng has undergone significant evolution throughout its history, with changes in construction, playing techniques, and musical roles reflecting both technological advancements and shifts in musical tastes. In ancient times, it served as a solo instrument for court music or as an accompaniment for poetry recitation. Over centuries, the Guzheng's role expanded to include ensemble performances and solo concerts, showcasing its versatility and expressive power.
In contemporary music, the Guzheng has found a new voice, integrating into various genres including pop, rock, and fusion, often seen in collaborations with Western instruments. This adaptability has helped to introduce the Guzheng to a global audience, making it a symbol of Chinese musical tradition and a bridge between cultures.
With its rich, melodious tones and deep cultural significance, the Guzheng continues to enchant listeners worldwide, serving as a testament to the enduring beauty and innovation of Chinese music. Through both traditional performances and modern explorations, the Guzheng invites a deeper appreciation of the intricate landscapes of sound it can produce, embodying the spirit of Chinese musical heritage while embracing the possibilities of the future.
Teacher Group
YATONG WEI
Wei Yatong graduated with a Bachelor of Arts degree in Literature from Beijing Normal University, majoring in Music Instrument Performance (Guzheng). She also holds a Master’s degree from the University of Melbourne, specializing in Arts and Cultural Management within the Art Department.
During her university years, she was mentored by the young performer Feng Xiaojing and had previously studied under Professor Qiu Ji of the China Conservatory of Music, as well as Professors Yang Hong and Fan Ran from Tianjin Conservatory of Music, and Professor Wu Qing from Wuhan Conservatory of Music. She received scholarships for competitions and academics throughout her university years. Wei won several awards including the Excellent Performance Award (Professional Group B) at the Dunhuang Cup Guzheng Elite Competition, and has also received accolades at the Wenhua Award and the San Jose Cultural Arts Festival, among other domestic and international competitions.
While teaching at the Australian Dunhuang Art Center, she gained substantial teaching experience and demonstrated strong fundamental skills. Her students achieved perfect scores in the VCE (Victorian Certificate of Education) "Music Investigation - Shaanxi Guzheng School"; she also coached students who won silver at the 2021 Dunhuang Cup Ensemble Competition and gold in both solo and ensemble categories at the 2021 Nanyang Cup International Music Competition.
YANGLIUQING HU
She started learning the guzheng at the age of four, under the tutelage of renowned masters, dedicating her life to teaching and performing this instrument.
Her performances, smooth as flowing clouds and water, stem from her solid fundamentals, while the beautiful notes that wander at her fingertips are a testament to her profound understanding of the music.
She graduated with a major in Guzheng performance from a comprehensive academy of music.
Known for her orthodox teaching system, patience, and meticulous teaching style, she is one of the most popular guzheng teachers in Melbourne.
She has received multiple endorsements from authoritative examiners at the Central Conservatory and has outstanding results with overseas grading students, making her the best guzheng teacher for folk music examinations in Australia.
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